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It’s been over six months since my last blog posts, and in reviewing them it became clear that something was missing. All that was tendered in these writings, that promised to extol the virtues of the comic book medium and its offerings, was “strict judgment” and a few choice words of appreciation (peppered with quotes)–but the WHY was left unanswered. There was no evaluation, analysis, interpretation, nor comparison. The posts were extremely subjective (although that in itself was not bad, they were shallow), and they did not display any deep sensitivity whatsoever in their descriptions.
A different approach was required, but my options were limited. A redo in life, and returning to school to become an English Lit major was out of the question; but perhaps book driven autodidaction offered a more economical–in both time and money–means for me to acquire the skills and vocabulary necessary to develop a “heightened sense of how literature works and what it does.” The first reading referred to was a serendipitous find on amazon.com: ‘The Complete Idiot’s Guide to Literary Theory and Criticism,’ by Steven J. Venturino PhD (and it is hoped that he does not take offense at this subversion of his work).
In addition, I purchased and read A.O. Scott’s, ‘Better Living Through Criticism: How to Think About Art, Pleasure, Beauty, and Truth’ (as to the why, will be made clear in later posts).
The comic book medium, however, is unique from pure literature in that it makes use of both text and graphics to tell its stories. An improved understanding of Art, and the expressions necessary to “translate visual experience[s] into written language” was also needed. For this, the following texts were read: Gilda William’s ‘How to Write About Contemporary Art’ and Scott McCloud’s ‘Understanding Comics’.
The hope was that these readings would actuate a metamorphosis in me as a writer, and elevate my experiences of life, art, literature, and its under-appreciated cousin: the comic book. Come join me on this fantastic and amazing textile and graphic journey!
What’s better than a robotic dog with a 6668 Quantum Processor brain and Nikocell S474
camera eyes … a networked pack of robotic dogs with 6668 Quantum Processor brains and Nikocell S474 cameras eyes. In Rob Cohen’s Red Dog, adapted by Andi Ewington, the wolfpack takes on a new meaning as this team of cyber hounds come together under young Kyle’s expert training.
This cinematic and entertaining western themed sci-fi read comprises all the good basics: an off-world mining colony on the dusky planet Kirawan; shared by its new human residents and primitive war-like indigenous bug-eyed alien population. Kyle, the only child on the planet, does his best to survive amongst the adult population, alongside his superior engineered robotic K-9 companions, and slightly dysfunctional family.
The plot is familiar, but the vivid visuals and fast-paced story telling keeps you hooked wanting for more. After all. who can’t relate to the love of a young boy for his android dogs.
Here is the quote:
“Hang on Red … I’m coming for you …”
Red Dog #3, 451Media
Created and Written by: Rob Cohen
Adapted by: Andi Ewington
Illustrated by: Alex Cormack
Cover by: W. Scott Forbes
Colored by: John Rauch
Lettered by: Taylor Esposito